Thursday, June 12, 2008

Outrage directed at Fox over 'baby mama' smear

June 12, 2008

One would hope that Barack Obama's just-unveiled myth busting Web site won't need to reproduce a copy of his and Michelle's marriage license, but it seems some in the conservative media are unconvinced of the validity of their matrimony.

Fox News, the network of assassination fantasies and "terrorist fist bumps," is being called out for its reference to Michelle Obama as her husband's "baby mama." The phrase is offensive on a variety of levels, according to various liberal commentators, who point out that the term generally refers to unmarried women who are estranged from the fathers of their children.

The "baby mama" reference was printed on a graphic during a segment discussing the coming wave of right-wing attacks on Michelle Obama, including an announced "documentary" that would feature damaging footage of the candidate. (Some pro-Hillary forces, such as committed Clinton fan Larry Johnson, also have been instrumental in spreading smears and rumors about Michelle Obama, as the segment noted.)

Unmentioned in all the condemnation of Fox's apparent racism is the fact that their structuring of the segment further demonstrated the extent to which the network has abandoned any attempt to live up to its "fair & balanced" moniker. The only guest invited to speak about the smears and rumors was ultra-right-wing blogger Michelle Malkin; no liberal or moderate voices are present in the segment at all.

The phrase "implies that like too many people in the black community, she is a mother on her own with no man around doing his job," writes blogger Oliver Willis, who is black, in a post titled "Hey Fox News, Just Call Her A N** And Be Done With It, Okay?"

Except, Barack and Michelle Obama are the exact opposite of this, and that is one of the reason America - especially black America - are so proud of them.

But Fox News is the network that tears down those who do not toe the line, and if that means they should resort to jive to describe a black woman as a “baby mama” despite the strength of her family and her own personal success, so be it.

Screw you guys.

According to a tally being maintained by Jeff Fecke at the blog Shakesville, the "baby mama" smear is at least the 54th instance of racially motivated hostility directed at Obama.

So yeah, irony is officially dead. Tomorrow, I assume Fox will put up a graphic, "Obama downs a 40 of malt liquor, and shoots cop in drive-by." Or perhaps they can just post a picture of the Obama family with the legend, "Negroes." Only, you know, the other N-word, just in case you didn't get the point that the Obamas are totally black.

Unsurprisingly, there are at least a few Fox-can-do-no-wrong voices defending the conservative network and trying to pass off the smear as no big deal.

Firedoglake, though, points out that this is just another example of behavior trotted out around every election.

Every four years the nation gathers, not just to vote, but find out what slander the Republicans will use against the wife of the Democratic Presidential Nominee this year:

1988: Kitty Dukakis, and the myth of the feces coated flag.

1992: Hillary Clinton and the "ball-busting communist harpy" (should be 1992 to present)

1996: See above, add dash of "murdering lesbian inside-trader".

2000: Tipper Gore, broke the heart of Oliver's old rich-guy father Oliver, claimed you never had to say you're sorry and later co-starred in 'Convoy'.

2004: OMG! Teresa Kerry is rich, intelligent and has an accent, and she replaced a Republican with a Democrat. We cannot have TWO Arianna Huffington's in this world!

2008: She's well-educated, a lawyer, and a black woman -- unleash the hounds!


It remains to be seen whether whoever crafted the graphic will be reprimanded or if Fox News again trot out a less-than-sincere seeming apology for its latest affront to the Democratic candidate and his family.

latimes.com

Alex Kozinski suspends L.A. obscenity trial after conceding his website had sexual images

The 9th Circuit chief judge admits he posted some of the explicit content. He says he didn't think the public could see the site, which is now blocked.

Alex Kozinski
Alex Kozinski

By Scott Glover
Los Angeles Times Staff Writer

June 12, 2008

A closely watched obscenity trial in Los Angeles federal court was suspended Wednesday after the judge acknowledged maintaining his own publicly accessible website featuring sexually explicit photos and videos.

Alex Kozinski, chief judge of the U.S. 9th Circuit Court of Appeals, granted a 48-hour stay in the obscenity trial of a Hollywood adult filmmaker after the prosecutor requested time to explore "a potential conflict of interest concerning the court having a . . . sexually explicit website with similar material to what is on trial here."

In an interview Tuesday with The Times, Kozinski acknowledged posting sexual content on his website. Among the images on the site were a photo of naked women on all fours painted to look like cows and a video of a half-dressed man cavorting with a sexually aroused farm animal. He defended some of the adult content as "funny" but conceded that other postings were inappropriate.

Kozinski, 57, said that he thought the site was for his private storage and that he was not aware the images could be seen by the public, although he also said he had shared some material on the site with friends. After the interview Tuesday evening, he blocked public access to the site.

Kozinski is one of the nation's highest-ranking judges and has been mentioned as a possible candidate for the U.S. Supreme Court. He was named chief judge of the 9th Circuit last year and is considered a judicial conservative on most issues. He was appointed to the federal bench by President Reagan in 1985.

After publication of an latimes.com article about his website Wednesday morning, the judge offered another explanation for how the material might have been posted to the site. Tuesday evening he had told The Times that he had a clear recollection of some of the most objectionable material and that he was responsible for placing it on the Web. By Wednesday afternoon, as controversy about the website spread, Kozinski was seeking to shift responsibility, at least in part, to his adult son, Yale.

"Yale called and said he's pretty sure he uploaded a bunch of it," Kozinski wrote in an e-mail to Abovethelaw.com, a legal news website. "I had no idea, but that sounds right because I sure don't remember putting some of that stuff there."

Sen. Dianne Feinstein (D-Calif.), a member of the Senate Judiciary Committee, expressed concern about Kozinski's website.

"If this is true, this is unacceptable behavior for a federal court judge," she said in a statement.

Stephen Gillers, a New York University law professor who specializes in legal ethics and has known Kozinski for years, called him "a treasure of the federal judiciary." Gillers said he took the judge at his word that he did not know the site was publicly available. But he said Kozinski was "seriously negligent" in allowing it to be discovered.

"The phrase 'sober as a judge' resonates with the American public," Gillers said. "We don't want them to reveal their private selves publicly. This is going to upset a lot of people."

Gillers said the disclosure would be humiliating for Kozinski and would "harm his reputation in many quarters" but that the controversy should die there.

He added, however, that if the public concludes the website was intended for the sharing of pornographic material, "that's a transgression of another order.

"It would be very hard for him to come back from that," he said.

Kozinski has a reputation as a brilliant legal mind and is seen as a champion of the 1st Amendment right to freedom of speech and expression. Several years ago, for example, after learning that appeals court administrators had placed filters on computers that denied access to pornography and other materials, Kozinski led a successful effort to have the filters removed.

The judge said it was strictly by chance that he wound up presiding over the trial of filmmaker Ira Isaacs in U.S. District Court in Los Angeles. Appellate judges occasionally hear criminal cases when they have free time on their calendars, and the Isaacs case was one of two he was given, the judge said.

Isaacs is on trial for distributing sexual fetish videos, featuring acts of bestiality and defecation. The material is considerably more vulgar than the content posted on Kozinski's website.

The judge said he didn't think any of the material on his site would qualify as obscene.

"Is it prurient? I don't know what to tell you," he said. "I think it's odd and interesting. It's part of life."

Before the site was taken down, visitors to http://alex.kozinski.com were greeted with the message: "Ain't nothin' here. Y'all best be movin' on, compadre."

Only those who knew to type in the name of a subdirectory could see the content on the site, which also included some of Kozinski's essays and legal writings as well as music files and personal photos.

The sexually explicit material on the site was extensive, including images of masturbation, public sex and contortionist sex. There was a slide show striptease featuring a transsexual, and a folder that contained a series of photos of women's crotches in snug-fitting clothing or underwear.

Kozinski told The Times that he began saving the sexually explicit materials and other items of interest on his website years ago.

"People send me stuff like this all the time," he said.

In turn, he said, he occasionally passes on items he finds interesting or funny to others.

Among the sexually explicit material on his site that he defended as humorous were two photos. In one, a young man is bent over in a chair and performing fellatio on himself. In the other, two women are sitting in what appears to be a cafe with their skirts hiked up to reveal their pubic hair and genitalia. Behind them is a sign reading "Bush for President."

"That is a funny joke," Kozinski said.

The judge said he planned to delete some of the most objectionable material from his site, including the photo depicting women as cows, which he said was "degrading . . . and just gross." He also said he planned to get rid of a graphic step-by-step pictorial in which a woman is seen shaving her pubic hair.

Before suggesting that his son might have been responsible for posting some of the content, Kozinski told The Times that he, the judge, must have accidentally uploaded the cow and shaving images to his server while intending to upload something else. "I would not keep those files intentionally," he said. He offered to give a reporter a demonstration of how the error probably occurred.

The judge emphasized that he never used appeals court computers to maintain his site.

The presence of copyrighted music files on Kozinski's site raises other issues.

More than a dozen MP3 tracks were listed, and they were neither excerpts nor used to illustrate legal opinions, which experts said might have qualified their copying as "fair use." The artists included Johnny Cash, Bob Dylan and Weird Al Yankovic.

Uploading such files could violate civil copyright laws if friends or members of the public visited the site and downloaded the songs, according to attorneys who have litigated file-sharing cases for both copyright holders and accused infringers.

Even if no one downloaded the songs, just making them available might run afoul of the law, said Corynne McSherry, staff attorney at the nonprofit Electronic Frontier Foundation, which often argues the other side of such issues.

Late last year, three of Kozinski's Circuit Court colleagues noted in a ruling that "the owner of a collection of works who makes them available to the public may be deemed to have distributed copies of the works," a violation of copyright law if done without permission.

"For him to actually be held liable would take some further investigation, but I think it's possible," McSherry said. "It's a strange story. It's surprising to me."

Kozinski was not asked in the Tuesday interview about the music files, and he could not be reached for comment Wednesday afternoon.

Wednesday, June 11, 2008

HBO Polanski documentary changed after 'fabrication' complaint

Roman Polanski

LOS ANGELES (AFP) — A documentary on fugitive director Roman Polanski has been altered after complaints from Los Angeles court officials over a key assertion in the film, US cable channel HBO said Monday.

A statement regarding a judge's action in the film "Roman Polanski: Wanted and Desired", which spotlights the film-maker's 1978 trial for having sex with a 13-year-old, drew an angry response by the Los Angeles Superior Court.

The initial version of the film said a Los Angeles judge in 1997 had told lawyers Polanski could return to the United States and face no further time behind bars -- provided his sentencing hearing was televised.

However the Los Angeles Superior Court on Monday issued a statement describing the assertion "as a complete fabrication without any basis in fact."

A spokeswoman for HBO later said the wording of the text in the film, due to be premiered in the US for the first time later Monday, had subsequently been changed to reflect the court's complaints.

"We have updated a statement at the end of the film to reflect new information that was provided to us by the court only late last week," a statement from HBO said.

According to the HBO statement, the film's wording says that the judge involved in the case agreed Polanski would serve no more time in custody if he returned to the United States.

"'However the judge insisted that the hearing be held 'in public, on the record and in open court.' Given the possibility that it would be televised, Polanski declined,'" the updated text reads, according to HBO.

The original wording read: "The judge agreed that if Polanski returned to the US, he would serve no more time in custody. On one condition: The judge wanted the proceedings to be televised. Under those circumstances, Polanski declined."

Polanski, 74, remains a fugitive from US authorities, having fled the United States before sentencing. US prosecutors have vowed to arrest him if he ever returned, a fact that prevented Polanski from collecting his best director Oscar for "The Pianist" in 2003.

The image “http://www.deadlinehollywooddaily.com/wp-content/uploads/2008/06/polanski.JPG” cannot be displayed, because it contains errors.

The New York Times
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June 9, 2008
The Media Equation

Golden Age for TV? Yes, on Cable

Maybe it’s because I’m from Minneapolis, but I’ve always had a soft spot for the Saturday nights on CBS that I spent with Mary Tyler Moore during her show’s heyday in the ’70s. Sure, Saturday night on the Tiffany network also had “All in the Family,” “M*A*S*H” and “The Bob Newhart Show,” but who else could take a nothing day, a Saturday for instance, and suddenly make it all seem worthwhile?

How about Kimbo Slice, a massive guy with a Unabomber beard and bare hands capable of performing autopsies?

A week ago, Mr. Slice — and I mean absolutely no disrespect, in case his range of interests includes this newspaper — stepped into the ring on “CBS EliteXC Saturday Night Fights,” the first in a series of mixed martial arts cage matches on the network, and solved a few mysteries.

1) Who would watch this stuff on network television? A lot of folks, 4.9 million of them in fact, including the precious young males advertisers love.

2) Is Saturday night, as Frank Sinatra suggested, the loneliest night of the week? Not when Mr. Slice has drawn a bead on you. Son, if that’s the case, you have plenty of company.

3) Most compellingly, what could possibly be inside the cauliflower ear of Mr. Slice’s opponent, a tomato can named James Thompson? As all of us found out by the end of the fight, some really yucky stuff.

In CBS’s Saturday night pantheon, the girl who could turn the world on with her smile has been replaced by a man whose missing teeth may be his most compelling feature.

Confronted by an audience that is either on the Web or a milk carton, and a writers’ strike that left the scripted cupboard a little bare, networks are opting in on all manner of contests and challenges, including human cockfighting.

Randomly flip on a network broadcast and people are dancing, fighting, singing and conniving their way to the top. The sitcom laugh track is petering out, as are the kinds of tent-pole dramas and news coverage that gave networks their brand identity.

However, for anybody with cable — and that includes most of us — television is in something of a golden age. Cable networks other than the fancy subscription services like HBO and Showtime used to be the realm of stupid human tricks and commercials for six-minute abs, but networks have shot by them in the race to the bottom.

Channels like TNT, AMC, FX and others came up with their own versions of “Trading Places” and carved out niches, sometimes huge ones, by letting viewers know that narrative, quality and drama have not gone off the grid. Those characteristics have just switched coordinates. Sure, “House” and “Grey’s Anatomy” still rule the water cooler, but shows like “Mad Men,” “The Closer” and “Saving Grace” are bubbling up as well.

Need more evidence of cable’s sneaky plan to produce quality programming to get quality audiences? NBC’s big push for next season is expanding “The Biggest Loser” to two full hours. Those of us who are looking forward to the third season of “Friday Night Lights,” a riveting drama about the American family through a pigskin prism, will have to wait because the network decided to share the property with DirectTV by splitting production costs and letting satellite viewers get first dibs.

If networks are no longer in the business of coming up with must-see serials that mature over time — we all know that “M*A*S*H,” “Cheers,” “Seinfeld,” you-name-it took a long time to turn into hits — what business are they in?

“They are on an endless search for the next big thing,” said Steve Koonin, president of Turner Entertainment Networks, which includes TNT and TBS. “There is very little consistency in what they are doing, and people don’t know what to expect when they turn on the broadcast networks. They are still in the business of appointment television, but there are fewer and fewer appointments. There’s a great big opportunity for cable networks.”

The writers’ strike may have done some damage to the network mode, as well. Not only did viewers tune out in droves — all three networks were down double digits — but competitors also grabbed a tasty share of that pie, with ad-supported cable audiences up 9 percent. Over the course of the strike, cable grew to a 48 percent share, up four points, all of it coming from the hide of the networks.

And it’s not just broadcast entertainment that is hurting. Part of the reason that networks seem to be losing their exalted status is that news programming, typically great for the image and not so much for the ratings, has been given over to the cable news stations. When issues of civic moment are nigh, consumers have been trained to tune in to Wolf or Chris, not Brian or Katie.

Last Tuesday night was a historic one, given that a black candidate became the presumptive presidential nominee of a major party. ABC made the lonely decision to cut away from regular programming to give its viewers a seat on history. NBC covered it with short news breaks while telling its viewers to head over to MSNBC for news. And CBS broadcast the speech only to pre-prime-time West Coast audiences.

For its trouble, ABC was beaten in the ratings by a cable station, CNN. According to my colleague Brian Stelter, it was only the second time in history that a cable news network attracted more viewers than a broadcaster during a major news event. (Fox News lodged the first during the Republican convention in 2004.)

There are other signs that the signal between cable and networks is being scrambled. Tonight at 8 p.m., CBS will broadcast an episode of “The Bill Engvall Show,” a TBS sitcom. In exchange for getting a shot on network air to promote the second season of the show, which begins on Thursday on the cable network, TBS has agreed to give CBS space this coming fall to promote its new lineup.

The move suggests that cable commercial time, once thought of as the province of cheap kitchen gadgets and cut-rate loan sharks, has gained luster. And it will give additional momentum to a “The Bill Engvall Show,” a goofy family program of the kind in which networks used to excel. Last year, the show gathered 4.1 million viewers.

Turner is not only sporting networklike numbers, but it is also beginning to act like a network. Last month, the cable network went toe to toe with the networks at the upfronts, giving a presentation during the same week. Mr. Koonin did everything he could to etch a shift in paradigm, pointing out with a pop quiz from the stage that while TNT has shows with gilded performers like the Oscar winner Holly Hunter and the Emmy winner Kyra Sedgwick, the networks were pushing shows about talking cars and guys in leotards.

ABC finished the upfronts with a flourish of its own, hyping “Wipeout,” a contest that brings the aesthetic of “America’s Funniest Home Videos” — gee, that looked like it really hurt — to a set that involves robotic boxing gloves and giant rubber balls. ABC picked YouTube’s pocket to bring a little mayhem to the small screen with better resolution by producing “I Survived a Japanese Game Show.” Now if it could just get a series out of that video where a bear gets shot out of tree with a tranquilizer gun, hits a trampoline and lands on a 4-year-old, my life would be complete.

Sensing an opportunity, ad-supported cable networks will jump in front of the fall network television station lineup with new episodes of “The Closer,” starring Ms. Sedgwick, and “Saving Grace,” starring Ms. Hunter, in July, while USA has already introduced its heavily promoted show about the witness protection program, “In Plain Sight,” and Lifetime’s spicy “Army Wives” came back for a second season last night.

In the meantime, network viewers will have to settle for Mr. Slice. Saturday night’s all right for fighting, but then, so is just about every night on the network schedule.